![]() Both Rank and Raglan have lists of cross-cultural traits often found in the accounts of mythical heroes and discuss hero narrative patterns in terms of Freudian psychoanalysis and ritualism. In narratology and comparative mythology, others have proposed narrative patterns such as psychoanalyst Otto Rank in 1909 and amateur anthropologist Lord Raglan in 1936. ![]() The study of hero myth narratives can be traced back to 1871 with anthropologist Edward Burnett Tylor's observations of common patterns in the plots of heroes' journeys. Background įurther information: Rank–Raglan mythotype More recently, the hero's journey has been analyzed as an example of the sympathetic plot, a universal narrative structure in which a goal-directed protagonist confronts obstacles, overcomes them, and eventually reaps rewards. ![]() In his famous book The Hero with a Thousand Faces (1949), he describes the narrative pattern as follows:Ī hero ventures forth from the world of common day into a region of supernatural wonder: fabulous forces are there encountered and a decisive victory is won: the hero comes back from this mysterious adventure with the power to bestow boons on his fellow man.Ĭampbell's theories regarding the concept of a "monomyth" have been the subject of criticism from scholars, particularly folklorists (scholars active in folklore studies), who have dismissed the concept as a non-scholarly approach suffering from source-selection bias, among other criticisms. ![]() Campbell used the monomyth to analyze and compare religions. Eventually, hero myth pattern studies were popularized by Joseph Campbell, who was influenced by Carl Jung's analytical psychology. In narratology and comparative mythology, the hero's journey, also known as the monomyth, is the common template of stories that involve a hero who goes on an adventure, is victorious in a decisive crisis, and comes home changed or transformed.Įarlier figures had proposed similar concepts, including psychoanalyst Otto Rank and amateur anthropologist Lord Raglan. For other uses, see The Hero's Journey (disambiguation). Of the many planets in Star Wars, here are the 10 most beautiful worlds, and their respective filming locations."The Hero's Journey" redirects here. Single-biome planets can exist in reality, but this is irrelevant to the Star Wars saga, as it is a science-fantasy universe with a stronger focus on its characters, narratives, and lore than realism. Frank Herbert’s Dune had a particularly strong influence on Lucas as he created the Star Wars franchise. This trait that may have been inspired by the many science fiction and sci-fi pulp franchises that George Lucas enjoyed in his youth. The planets of the Star Wars movies and TV shows are famous for being defined by a single biome. In other cases, the planets are created by sets and computer-generated imagery. The diverse range of planets in the Star Wars film was often filmed across many real-world locations, affording them a degree of realism. Beauty is, of course, subjective, so some Star Wars planets may be far more visually pleasing to the viewers than they are to the characters. ![]() As a science-fantasy franchise, the Star Wars saga takes its heroes to a multitude of distinctive planets with a diverse range of climates, terrains, cultures, and species. A plethora of planets are featured in the live-action Star Wars films, with 10 particular worlds being especially visually astounding. ![]()
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